Review: Natalie Dessay, After Opera Left Her - The New.

French soprano Natalie Dessay has done one thing pretty much better than anyone else out there: dance around in the vocal stratosphere and keep a beautiful, blooming sound going. She has also been impressive indeed in seeming to put herself right in front of listeners in a quiet aria, and she's a fine, charismatic stage presence.

Following the success of the complete opera version of Bellini's La Sonnambula featuring Natalie Dessay (which was awarded Diaspason d'Or of the Year 2007), Virgin Classics is releasing the single-CD highlights version to coincide with Dessay's performances of the opera at the Metropolitan Opera.

Translation of 'Ah, non credea mirarti. Ah, non giunge.' by Vincenzo Bellini (Vincenzo Salvatore Carmelo Francesco Bellini) from Italian to English.

This masterful interpretation culminates with a sublime final scene that goes from the despair of 'Ah non credea mirarti' to the exultation of 'Ah non giunge'. This recording is certainly a fine addition to the discography of La Sonnambula, as well as a lovely memento of one of Natalie Dessay's signature roles.

Watch movie and read libretto and translation of Ah! non credea mirarti, an aria for soprano from the Italian opera La Sonnambula by Vincenzo Bellini.

For the first time at the Paris Opera, Natalie Dessay sings one of the most beautiful roles of Italian romanticism. She embodies the modest and charming Amina, this sleepwalker who, escaping from her bedroom, becomes another person as she wanders through the night.

Natalie Dessay, soprano Philippe Cassard, piano EMI B006PYZ9Q0 (Lebrecht’s Album of 2012) Not much was heard this year from Natalie Dessay. The French soprano-actress had a run of opera cancellations and suffered the death of her manager, Herbert Breslin. In the early spring, she issued on Virgin Classics a recital of Debussy songs that I do.

Philippe cassard natalie dessay perlimpinpin Essay about carl friedrich gauss shakespeare and his contemporaries essays in comparison to baroque how to quote a research paper in. French soprano Natalie Dessay makes her New York recital debut at Carnegie Hall—accompanied by pianist Philippe Cassard—on March Here, the singer e.

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On the other hand, Natalie Dessay benefits from her experience as an opera singer, always keeping the voice optimally under control and thereby realizing moods and sound colors precisely in favor of the atmosphere matching the respective song. Pictures by the American painter Edward Hopper have motivated Natalie Dessay's selection of the songs.

Natalie Dessay has sung the role of Amina before. She looked charming on stage and her small and slim built was also convincing for the character. Vocally she was still agile but the voice lost some quality when subjected to pressure. It was loveliest in the quieter passages and the famous “Ah, non credea mirarti” turned out very well. The.